TitleInterview with Antony Tudor
NamesTudor, Antony, 1908-1987 (Interviewee)Hunt, Marilyn, 1937- (Interviewer)
CollectionDance Audio Archive
Dates / OriginDate Created: 1986-11-11
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZIDF 8831
TopicsTudor, Antony, 1909-1987 -- InterviewsHunt, Marilyn, 1937-Rambert, MarieKaye, Nora, 1920-1987Laing, HughDe Mille, AgnesRobbins, JeromeDowell, AnthonyMoore, KathleenTharp, TwylaKylian, Jiri, 1947-Ballet RambertBallet TheatreAmerican Ballet TheatreUndertow (Choreographic work : Tudor)Pillar of fire (Choreographic work : Tudor)Jardin aux lilas (Choreographic work : Tudor)Dark elegies (Choreographic work : Tudor)Judgment of Paris (Choreographic work : Tudor)Gala performance (Choreographic work : Tudor)Romeo and Juliet (Choreographic work : Tudor)Shadowplay (Choreographic work : Tudor)Choreographers -- 20th centuryBallet -- England -- 20th centuryBallet -- United States -- 20th centuryDance -- Anecdotes
GenresInterviewsDance
NotesContent: Unedited footage.Additional physical form: For a transcript of this interview, see: *MGZMT 3-1130 Interview with Antony Tudor.Venue: Recorded in Washington, D.C., on November 11, 1986, for the Kennedy Center Honors Oral History Program.
Physical DescriptionVideocassetteExtent: 3 videocassettes (U-matic) (151 min.) : sound, color ; 3/4 in.
DescriptionLooking back at his life and career, choreographer Antony Tudor discusses different aspects of his ballets and the dancers who performed in them. Throughout the course of the interview he reveals his conceptions of characters, settings and situations in various ballets, among them Undertow, Jardin aux lilas (Lilac garden), Pillar of fire, Dark elegies, Judgment of Paris, Gala performance, Romeo and Juliet, and Shadowplay. Topics include his childhood and its reflection in his work ; his experiences as an amateur actor and their influences on his choreography ; his early work with Marie Rambert, and how the limitations of her theater shaped his style ; working with dancers past and present on characterization in his ballets ; his choices and arrangements of musical scores ; qualities he seeks in dancers ; his observations of American Ballet Theatre's current management ; his opinions of the choreography of Twyla Tharp and Jiří Kylián. He tells numerous anecdotes about his contemporaries, among them Rambert, Nora Kaye, Hugh Laing, Tanaquil Le Clercq, Agnes de Mille, Jerome Robbins, Anthony Dowell, and Kathleen Moore. More briefly discussed are Frederick Ashton, Viola Essen, Peggy Van Praagh, Lucia Chase, Nana Gollner, Karen Conrad, Cynthia Anderson, Merle Park, Derek Rencher, Mikhail Baryshnikov, and others.
Type of ResourceMoving image
LanguagesEnglish
IdentifiersRLIN/OCLC: NYPY00-F8NYPL catalog ID (B-number): b16514718Universal Unique Identifier (UUID): 6c3a2320-01a1-0139-19ba-0242ac110003
Rights StatementThe copyright and related rights status of this item has been reviewed by The New York Public Library, but we were unable to make a conclusive determination as to the copyright status of the item. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.
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