TitleFokine brings ballet into a new age: Les sylphides
Additional title: Arabesques (Radio program)
NamesManchester, P. W. (Phyllis Winifred) (Speaker)Watts, Carolyn, 1914-2002 (Speaker)
CollectionDance Audio Archive
Dates / OriginDate Created: 1975
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZTO 5-496
TopicsFokine, Michel, 1880-1942Sylphides (Choreographic work : Fokin)
GenresRadio programs
NotesContent: Title supplied by cataloger.Venue: Recorded by WGUC-FM, the radio station of the University of Cincinnati 1975 Cincinnati (Ohio)Funding: The conservation and cataloging of this recording was made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The support of the National Endowment for the Arts is also gratefully acknowledged.
Physical DescriptionAudiotape reelExtent: 1 audiotape reel (approximately 31 min.) : polyester, full-track, 3 3/4 ips ; 5 in.Sound quality is excellent.
DescriptionP. W. Manchester and Carolyn Watts discuss how Michel Fokine brought ballet into a new age; recorded at WGUC-FM, the radio station of the University of Cincinnati, for the radio program Arabesques, and broadcast on the National Public Radio network, in 1975.
Streaming audio file (approximately 31 minutes). [Music and announcements.] P.W. Manchester and Carolyn Watts discuss the development of ballet after [Marius] Petipa, namely Michel Fokine and the changes he brought to ballet; his rejected proposal in 1905 for a ballet based on the story of Daphnis and Chloe; his experimenting with students and dancers at the Mariinsky Theatre, including Anna Pavlova; his choreographing of The dying swan for Pavlova; Fokine's 1908 work Shopeniana [as revised now known as Les sylphides]; Serge Diaghilev's short tenure at the Imperial Ballet; Diaghilev's bringing of Russian dancers and Fokine's choreography to western Europe [a recording of a mazurka by Frédéric Chopin from Les sylphides is played]; Fokine's innovations including his break from the tradition of evening-length ballets [a recording of the music for the second variation for the male dancer in Les sylphides is played]; Fokine's practice of making changes in Les sylphides for each company on which he set it; the work's status as the first abstract ballet; the question as to whether a certain step was added by Pierre Vladimiroff or had been danced by Vasclaw Nijinsky in the original version; an anecdote about André Eglevsky and this step; Les sylphides as both the seed for future ballets and as a classic work in its own right [music and announcements].
Type of ResourceSound recording
LanguagesEnglish
IdentifiersRLIN/OCLC: 81025485NYPL catalog ID (B-number): b12118341Universal Unique Identifier (UUID): 5112dc30-c643-0135-3e69-457dc3adaddb
Rights StatementThe copyright and related rights status of this item has been reviewed by The New York Public Library, but we were unable to make a conclusive determination as to the copyright status of the item. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.
Item timeline of events
-
-
-
-