Late nineteenth and early twentieth century women composers in England : paper presentations

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Title
Late nineteenth and early twentieth century women composers in England : paper presentations
Additional title: Late 19th and early 20th century women composers in England
Names
First National Congress on Women in Music (Creator)
Lerner, Ellen D (Moderator)
Marcus, Jane (Speaker)
Bailey, Nancy Gisbrecht (Speaker)
Wood, Elizabeth, 1939- (Commentator)
Brand, Myra Friesen, 1936- (Speaker)
Hyde, Derek (Speaker)
Marcus, Jane (Author)
Brand, Myra Friesen, 1936- (Author)
Hyde, Derek (Author)
Collection

First National Congress on Women in Music recordings

Dates / Origin
Date Created: 1981-03-27
Table of Contents
[Part 1]: [Introductions ; Opening remarks] (Ellen Lerner, moderator) -- Session 1 papers: One's own trumpet: Ethel Smyth and Virginia Woolf / Jane Marcus -- [Excerpt] An examination of the operatic environment in which Ethel Smyth composed and its effect upon her career / Nancy Gisbrecht [ends abruptly] |||| [Part 2]: [Excerpt, to end] An examination of the operatic environment in which Ethel Smyth composed and its effect upon her career / Nancy Gisbrecht -- Radicalism respectabilbility [first 6 seconds only; not recorded] / Elizabeth Wood -- Poldowski (Lady Dean Paul): her life and song settings of French and English poetry / M. F. Brand -- [General survey report: Women and music in nineteenth century England] / Dr. Derek Hyde.
Library locations
Rodgers and Hammerstein Archives of Recorded Sound
Shelf locator: *LTC-A 1359
Shelf locator: *LTC 103 sess. 1 no. 1 (former classmark)
Topics
Women in music
Smyth, Ethel, 1858-1944
Smyth, Ethel, 1858-1944 -- Boatswain's mate
Smyth, Ethel, 1858-1944 -- Correspondence
Woolf, Virginia, 1882-1941 -- Correspondence
Poldowski, 1879-1932
Speeches, addresses, etc
Women composers -- England
Women musicians -- United States
Women composers -- United States
Marcus, Jane. One's own trumpet: Ethel Smyth and Virginia Woolf. Selections
Brand, Myra Friesen, 1936- Poldowski (Lady Dean Paul): her life and song settings of French and English poetry. Selections
Hyde, Derek. Women and music in nineteenth century England. Selections
Genres
Lectures
Live sound recordings
Notes
Content: Former classmark on original cassette: *LTC 103 (F)
Content: Title from original cassette label; additional information from catalog (cassette tapes, schedule of meetings and concerts, and newspaper clippings ([16], 46, [21] p.); Available on request.
Performers: Jane Marcus, Nancy Gisbrecht, Elizabeth Wood, Dr. Myra Friesen (M. F.) Brand and Dr. Derek Hyde, lecturers and commentary ; Ellen Lerner, moderator.
Venue: Recorded New York University, New York, N. Y. 1981 March 27.
Citation/reference: Forms part of: First National Congress on Women in Music recordings.
Physical Description
Audiocassette
Extent: 1 audio cassette (79:52) : analog, mono
Description
This recording contains the first paper presentations of Session 1 of the first National Congress on Women in Music (NYU, 1981): "Late 19th and early 20th century women composers in England". Three papers were presented by 1. Jane Marcus's "One's own trumpet: Ethel Smyth and Virginia Woolf", about the letters written between Smyth and Woolf during 1930-1941 when they were romanticially involved. (It eventually became a book). 2. Nancy Gisbrecht's paper, "An examination of the operatic environment in which Ethel Smyth composed and its effect upon her career", talks about Dame Ethel Smyth's operatic enviroment in both England and Germany, and her opera "The Boatswain's mate" (1914), as compared to Sir Charles Stanford's opera "The critic" (1915) and Frederick Delius's opera "A village Romeo and Juliet" (written in 1901; produced later). 3. Elizabeth Wood's "[Dame Ethel Symth:] Radicalism & respectabilbility" [not recorded on audio] about Dame Ethel Smyth, and 4. Dr. M. F. Brand's dissertation excerpt "Poldowski (Lady Dean Paul): her life and song settings of French and English poetry". The recording ended with a general survey report by Dr. Derek Hyde ["Women and music in nineteenth century England"].
Type of Resource
Sound recording
Languages
English
Identifiers
RLIN/OCLC: 899592491
NYPL catalog ID (B-number): b20510727
Universal Unique Identifier (UUID): d66ac3d0-b826-0133-7a74-60f81dd2b63c
Rights Statement
The copyright and related rights status of this item has been reviewed by The New York Public Library, but we were unable to make a conclusive determination as to the copyright status of the item. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.

Item timeline of events

  • 1981: Created
  • 2024: Found by you!
  • 2025

MLA Format

Rodgers and Hammerstein Archives of Recorded Sound, The New York Public Library. "Late nineteenth and early twentieth century women composers in England : paper presentations" The New York Public Library Digital Collections. 1981. https://qa-digitalcollections.nypl.org/items/da5e8fe0-b826-0133-92cc-60f81dd2b63c

Chicago/Turabian Format

Rodgers and Hammerstein Archives of Recorded Sound, The New York Public Library. "Late nineteenth and early twentieth century women composers in England : paper presentations" New York Public Library Digital Collections. Accessed November 22, 2024. https://qa-digitalcollections.nypl.org/items/da5e8fe0-b826-0133-92cc-60f81dd2b63c

APA Format

Rodgers and Hammerstein Archives of Recorded Sound, The New York Public Library. (1981). Late nineteenth and early twentieth century women composers in England : paper presentations Retrieved from https://qa-digitalcollections.nypl.org/items/da5e8fe0-b826-0133-92cc-60f81dd2b63c

Wikipedia Citation

<ref name=NYPL>{{cite web | url=https://qa-digitalcollections.nypl.org/items/da5e8fe0-b826-0133-92cc-60f81dd2b63c | title= (sound recording) Late nineteenth and early twentieth century women composers in England : paper presentations, (1981)|author=Digital Collections, The New York Public Library |accessdate=November 22, 2024 |publisher=The New York Public Library, Astor, Lenox, and Tilden Foundations}}</ref>

Late nineteenth and early twentieth century women composers in England : paper presentations