TitleSix American Dance Pioneers: A Look Back, A Leap Forward: Ernestine Stodelle
Additional title: Dance with the BrideAdditional title: AWPAdditional title: Air for the G string (Choreographic work : Humphrey)Additional title: Call (Choreographic work : Humphrey)Additional title: Breath of fire (Choreographic work : Humphrey)Additional title: Quasi-waltz (Choreographic work : Humphrey)
NamesEdsall, Mary E (Moderator)Edsall, Mary E (Speaker)Miller, Andrea (Dancer)Miller, Andrea (Speaker)Humphrey, Doris, 1895-1958 (Choreographer)Stodelle, Ernestine (Speaker)Hess, Susan (Speaker)Hess, Susan (Director)Painted Bride Art Center (Presenter)
CollectionSusan Hess Modern Dance Lecture Series Video Archive
Dates / OriginDate Created: 2000-11-12
Table of ContentsReel 1. Introduction (3 min.) / by Mary Edsall [Choquette] (Dance Archivist) -- Ernestine Stodelle (20 min.) -- Air for the G String film (5 min.) / choreography, Doris Humphrey ; dancers include Doris Humphrey and Ernestine Stodelle -- Leverages (Extrovert and Introvert sections) (6 min.) / choreography, Ernestine Stodelle ; danced by Andrea Miller -- Brief talk (5 min.) / by Ernestine Stodelle -- The Call/Breath of Fire film (11 min.) / choreography, Doris Humphrey ; dancers include Doris Humphrey and Ernestine Stodelle -- The Call/Breath of Fire performance (5 min.) / choreography, Doris Humphrey ; dancer, Andrea Miller. |||| Reel 2. Ernestine Stodelle (conclusion) (1 min.) -- Charles Woodford (Doris Humphrey's son) (3 min.) -- Quasi-waltz (3 min.) / choreography, Doris Humphrey ; dancer, Andrea Miller -- Question Answer Session (17 min.) / moderator, Mary Edsall ; participants, Ernestine Stodelle, Charles Woodford, Andrea Miller -- Masters Exchange in studio [ends abruptly] (22 min.) / participants include, Ernestine Stodelle and Susan Hess.
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZIDF 1468
TopicsStodelle, ErnestineHumphrey, Doris, 1895-1958Limón, JoséAir for the G string (Choreographic work : Humphrey)Call (Choreographic work : Humphrey)Breath of fire (Choreographic work : Humphrey)Quasi-waltz (Choreographic work : Humphrey)Modern dance -- United StatesDance -- History -- 20th centuryDance -- Psychological aspectsDance -- Study and teaching -- United StatesDance -- Technique
GenresInterviewsFilmed danceFilmed performances
NotesContent: Title taken from video introduction; additional titles from original cassette label and video introduction.Content: Reel 1 (58 min.) ; Reel 2 (47 min.).Creation/production credits: Presented by Susan Hess Modern Dance.Venue: Videotaped during talk at Painted Bride Art Center, Philadelphia, Pa. and at dance studio 2000 November 12.Acquisition: Gift; Susan Hess; 2010.
Physical DescriptionVideocassetteExtent: 2 videocassettes (MiniDV) (105 min.) : sound, color ; 1/4 in.
DescriptionReel 1 begins with Ernestine Stodelle talking about Doris Humphrey; talk of the Little Group which included José Limón, Letitia Ida, Eleanor King, Ernestine Stodelle; how the word WHY, is so important and is the purpose of movement with there always being something net to say; Humphrey believing in natural movement as the basis of technique with Fall and Recovery; Stodelle's feelings about Philadelphia and performing there with Humphrey; a story by Stodelle of performing in Humphrey's Bacchanale with José Limón; Humphrey creating themes; what Stodelle has gained from working with Humphrey; the use of flow incorporated into the body and movement; introductions before the films of Doris Humphrey's Air for the G String and The Call/Breath of Fire with a performance by dancer, Andrea Miller. Reel 2 concludes Stodelle's talk; Charles Woodford speaks; Andrea Miller dances an encore of Doris Humphrey's Quasi-waltz; concludes with a Question & Answer session. Reel 2 also includes a talk with Ernestine Stodelle, Susan Hess and others in a dance studio where they discuss Stodelles reaction to Merce Cunninghams abstract movement; Psychological time of dance with Freud and Jung being paramount in the development of Humphrey and Martha Graham; dance criticism relating to choreographers point of view and how dance needs to be articulated to relate on a psychological level; performers and audiences sharing a dance performance; how Anna Sokolow combined dancing with acting; and the need to reach the audience.
Type of ResourceMoving image
LanguagesEnglish
IdentifiersRLIN/OCLC: 890481943NYPL catalog ID (B-number): b20294799Universal Unique Identifier (UUID): 927d93e0-6456-0132-1fa8-3c075448cc4b
Rights StatementThe copyright and related rights status of this item has been reviewed by The New York Public Library, but we were unable to make a conclusive determination as to the copyright status of the item. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.
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