TitleRemainder: music for Torse
Additional title: Torse (Choreographic work : Cunningham)
NamesMerce Cunningham Dance Company (Associated name)Amacher, Maryanne (Composer)
CollectionMerce Cunningham Dance Foundation Collection. Audio materials
Dates / OriginDate Created: 1976 (Questionable)
Library locationsRodgers and Hammerstein Archives of Recorded SoundShelf locator: *LT-7-A 2443
TopicsAleatory musicElectronic musicModern dance musicSound installations (Art)
GenresMusicLive sound recordings
NotesContent: Title provided by cataloger based on typed and handwritten notes on the original containers.Content: Typed note on original container no. 1: "Mast[er] ; Maryanne Amacher ; 15 minutes, #1 and #2, 60 c/s, 1/2 track stereo. ; REMAINDER. "18. ] R [ ] D [ = An afterimage. (Also used as a classifier of seeds.)"* ; Band #1. O vu reference tone to establish playback level of Band #2 at -20 -15 vu maximum. ; Band #2. 'Remainder', 15 minutes #1. 60 c/s, 7 1/2 ips, 1/2 track stereo. -20, -15 vu should be maximum playback level. ; Band #3. O vu reference tone to establish playback level of Band #4 at -20, -15 vu maximum. ; Band #4. 'Remainder', 15 minutes #2. 60 c/s, 7 1/2 ips, 1/2 track stereo. -20, -15 vu should be maximum playback. ; *Hollis Frampton, 'A Stipulation of Terms from Maternal Hopi'."Content: Typed note on original container no. 2: Maryanne Amacher ; 15 minutes, #1 and #2, 50 c/s, 1/4 track stereo. ; REMAINDER. "18. ] R [ ] D [ = An afterimage. (Also used as a classifier of seeds.)"* ; Band #1. O vu reference tone to establish playback level of Band #2 at -20, -15 vu maximum. ; Band #2. 'Remainder', 15 minutes #1. 50 c/s, 7 1/2 ips, 1/4 track stereo. -20, -15 vu should be maximum playback level. ; Band #3. O vu reference tone to establish playback level of Band #4 at -20, -15 vu maximum. ; Band #4. 'Remainder', 15 minutes #2. 50 c/s, 7 1/2 ips, 1/4 track stereo. -20, -15 vu should be maximum playback level. ; *Hollis Frampton, 'A Stipulation of Terms from Maternal Hopi'."Content: Typed note on original container no. 3: "Maryanne Amacher ; 15 minutes, #1 and #2, 60 c/s, 1/2 track stereo. ; REMAINDER. "18. ] R [ ] D [ = An afterimage. (Also used as a classifier of seeds.)"* ; Band #1. O vu reference tone to establish playback level of Band #2 at -20 to -15 vu maximum. ; Band #2. 'Remainder', 15 minutes #1. 60 c/s, 7 1/2 ips, 1/2 track stereo. -20 to -15 vu should be maximum playback level. ; Band #3. O vu reference tone to establish playback level of Band #4 at -20 to -15 vu maximum. ; Band #4. 'Remainder', 15 minutes #2. 60 c/s, 7 1/2 ips, 1/2 track stereo. -20 to -15 vu should be maximum playback level. ; *Hollis Frampton, 'A Stipulation of Terms from Maternal Hopi'."Content: Handwritten note on original container no. 4: "Torse ; 15:00 MIX ; 50 c/s 1/4 TK ; Dolby B®".Content: Contains sound recordings used in the music for Merce Cunningham's Torse (1976); based on the WAV file shapes: reel no. 2 slightly differs from reel no. 1, reel no. 3 is an inverse version of reel nos. 1 and 2, and reel no. 4 is the second part of reel nos. 1 and 2.Content: Sound quality is fair; reel no. 1 has approximately 7 minutes of leader silence and all reels contain significant recording "hiss".Numbering: Donor's inventory numbers: R101 (no. 1), R099 (no. 2), R097 (no. 3), and, R107 (no. 4).Venue: Recorded in unidentified locations for use in performances of Torse.Acquisition: Gift; Merce Cunningham Dance Foundation, 2011-2012.Conservation history: The archival original reels no. 2 and no. 4 recordings were produced at a non standard speed, 16.66% faster than 7.5 ips, for the purpose of being played in locations where the playback equipment uses a 50 Hz standard in order to compensate for pitch.
Physical DescriptionAudiotape reelExtent: 4 audiotape reels (83 min.) : analog, (reels 1 and 3: 7 1/2 ips; reels 2 and 4, 6 1/4 ips), two track, stereo ; 7 in.The archival original reels no. 2 and no. 4 recordings were produced at a non standard speed, 16.66% faster than 7.5 ips, for the purpose of being played in locations where the playback equipment uses a 50 Hz standard in order to compensate for pitch.
Type of ResourceSound recording
IdentifiersRLIN/OCLC: 902688857NYPL catalog ID (B-number): b20523344Universal Unique Identifier (UUID): 903758f0-c334-0133-a835-60f81dd2b63c
Rights StatementThis item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
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