TitlePam Tanowitz Dance, 2014 February 5
Additional title: Passagen (Choreographic work : Tanowitz)Additional title: Pause dance (Choreographic work : Tanowitz)Additional title: Heaven on one's head (Choreographic work : Tanowitz)
NamesNew York Public Library. Dance Division (Producer)Tanowitz, Pam (Choreographer)Tanowitz, Pam (Artistic director)Champlin, Andrew (Dancer)Cloud, Maggie (Dancer)Collins, Jason, (Dancer) (Dancer)Crossman, Dylan (Dancer)Haarmann, Sarah (Dancer)Jones, Lindsey, (Dancer) (Dancer)McCloskey, Vincent (Dancer)Cappelli-King, Max (Dancer)Toogood, Melissa (Dancer)Harris, Pauline Kim (Performer)Bartelme, Reid (Costume designer)Scandrett, Davison (Lighting designer)Benoit, Laurie (Stage manager)Zorn, John, 1953- (Composer)Nancarrow, Conlon, 1912-1997 (Composer)Ray, Jessica (Videographer)Bickford, Ashli (Videographer)Chui, Tom (Performer)Harris, Conrad (Performer)Mandel, Max (Performer)Fan, Felix (Performer)Flux Quartet (Performer)Pam Tanowitz Dance (Performer)Joyce Theater (New York, N.Y.) (Presenter)
CollectionJerome Robbins Archive of the Recorded Moving Image Original Documentation
Dates / OriginDate Created: 2014-02-05
Table of ContentsPassagen (World Premiere) (15 min.) / choreographer, Pam Tanowitz ; music, John Zorn (Passagen) ; guest artist, Pauline Kim Harris (violin) ; performance, Maggie Cloud and Melissa Toogood. |||| Pause Dance ( min.) / performance, Dylan Crossman and Sarah Haarmann. |||| Heaven on One's Head (World Premiere) ( min.) / music, Conlon Nancarrow (String Quartets 1 3) ; guest artists, The Flux Quartet: Tom Chui (violin), Conrad Harris (violin), Max Mandel (viola), Felix Fan (cello) ; performance, Andrew Champlin, Maggie Cloud, Jason Collins, Dylan Crossman, Sarah Haarmann, Lindsey Jones, Vincent McCloskey, Max King, Melissa Toogood.
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZIDF 2042
TopicsNancarrow, Conlon, 1912-1997 -- Quartets, violins (2), viola, cello, no. 1Nancarrow, Conlon, 1912-1997 -- Quartets, violins (2), viola, cello, no. 3
GenresFilmed danceFilmed performances
NotesCreation/production credits: artistic director and choreographer, Pam Tanowitz.Content: Widescreen.Content: The recording of this work was made possible by the cooperation of PAM TANOWITZ DANCE, THE JOYCE THEATER, and the Jerome Robbins Archive of the Recorded Moving Image, Jerome Robbins Dance Division, The New York Public Library.Creation/production credits: Lighting designer, Davison Scandrett ; costume designer, Reid Bartelme ; production stage manager, Laurie Benoit ; rehearsal director, Melissa Toogood ; video production, Nel Shelby Productions ; videographers, Jessica Ray, Ashli Bickford.Performers: Performed by Andrew Champlin, Maggie Cloud, Jason Collins, Dylan Crossman, Sarah Haarmann, Lindsey Jones, Vincent McCloskey, Max King, Melissa Toogood, The Flux Quartet, Pauline Kim Harris.Venue: Videotaped in performance at The Joyce Theater, New York, N.Y., on 2014 February 5.Funding: This program is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.Funding: The assistance of the New York State Council on the Arts and the National Endowment for the Arts is gratefully acknowledged.Funding: The Dance Division gratefully acknowledges the assistance of The Jerome Robbins Foundation.
Physical DescriptionBorn digitalExtent: 1 video file (46 min.) : sound, color.
DescriptionAfter the realizaton that I have been making the same duet for two women for the past six years in differnet forms, I decided to combine these movement ideas into a new dance. Passegen is a mini retrospective in 15 minutes. I would like to thank the dancers who helped create the original work: Anne Lentz, Uta Takemura, Ashley Tuttle and Jean Freebury -- opening credits note for Passagen.
Type of ResourceMoving image
IdentifiersRLIN/OCLC: 945631106NYPL catalog ID (B-number): b20926288Universal Unique Identifier (UUID): 4478ced0-7e85-0134-a61d-00505686a51c
Rights StatementThe copyright and related rights status of this item has been reviewed by The New York Public Library, but we were unable to make a conclusive determination as to the copyright status of the item. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.
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