TitleMerce Cunningham speaks about his choreography
NamesMerce Cunningham Dance Company (Associated name)Cunningham, Merce (Speaker)
CollectionMerce Cunningham Dance Foundation Collection. Audio materials
Dates / OriginDate Created: 1965 - 1969 (Questionable)
Library locationsRodgers and Hammerstein Archives of Recorded SoundShelf locator: *LT-7-A 2447
TopicsCunningham, MerceMerce Cunningham Dance CompanySummerspace (Choreographic work : Cunningham)Choreography
GenresLectures
NotesContent: This recording seems to be a rehearsal of a lecture by Merce Cunningham about his choreography, to be given at an unspecified date and location.Content: Title and date provided by cataloger based on audition, handwritten note taped to the original reel hub, and collection context.Content: Handwritten note taped to original container: "I/77".Content: A similar version of this lecture was recorded in October 1966, on a separate recording with the classmark *LT-7-A 2360, and is available for separate streaming at http://link.nypl.org/yTL5k8FvRkKPQkXO5gOhrwE.Numbering: Donor's inventory number: R019.Venue: Recorded in an unidentified location.Acquisition: Gift; Merce Cunningham Dance Foundation, 2011-2012.
Physical DescriptionAudiotape reelExtent: 1 audiotape reel (17 minutes) : analog, 7 1/2 ips, half track, mono ; 5 in. rewound onto an archival 7 in. reelSound quality is mostly good; overall the speaker is recorded at a slightly low volume and there are occasional sound and music samples that play simultaneous to the speaker.
DescriptionMerce Cunningham speaks about abstraction, movement, and symmetry in the body; how he starts to choreograph new works; the audience response to his [Merce Cunningham Dance] Company's performance in Chandigarh, [Punjab]; while touring, his Company's assessment of the various conditions of performance spaces, especially the floor; how the size of the space impacts the choice of works to be performed; the set-up of the pianos in the space, especially David Tudor's wish that the pianos are set up in the front of the stage; his approaches to choreography and, briefly, teaching; a brief anecdote about a conversation that Cunningham had at a party; briefly, the general audience response to his Company's performances in London; his Company's residency at Connecticut College in the summer of 1958, including teaching classes and rehearsing his Antic Meet, and Summerspace; his intentions behind the title and some of the movements for Summerspace; the ballroom rehearsal space during the residency and how this space impacted the choreography; some of the choreographic structures and chance methods that he devised for Summerspace; his numbering system for the movements in Summerspace; his attention to individual dancers' pathways in Summerspace and the assembling the dancers in the piece; the premiere of Summerspace and his perception of the audience response; ends abruptly.
Type of ResourceSound recording
IdentifiersRLIN/OCLC: 909030622NYPL catalog ID (B-number): b20621765Universal Unique Identifier (UUID): c0c7dd80-b8c1-0133-7b27-60f81dd2b63c
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