TitleZhanag Nga Cham, Korphu Drup: Fourth Day [Wide shot]
Additional title: Dance of the Black Hats with Drums
NamesCore of Culture (Organization) (Producer)Core of Culture (Organization) (Donor)
CollectionBhutan Dance Project, Core of Culture
Dates / OriginDate Created: 2007
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZIDF 1003A
TopicsDance -- BhutanFolk dancing -- BhutanDance -- Religious aspects -- BuddhismRites & ceremonies -- BhutanDzongs -- Bhutan -- Trongsa (District)Trongsa (Bhutan : District)Festivals -- BhutanRitual and ceremonial dancing -- BhutanHat dances -- BhutanDrum dances -- Bhutan
GenresFilmed danceFilmed performances
NotesAdditional physical form: For close shot version, see: *MGZIDF 1003B.Biographical/historical: The Black Hat dances comprise a cycle of sacred Tibetan dances, which are said to have their source in the dance by which the Tibetan monk Llhalung Pel-Ki Dorji sought to distract the anti-Buddhist, Tibetan King, Langdarma, before pulling a bow and arrow from the copious sleeves of his costume and assassinating him in A.D. 842. The dances are performed with the ritual intention of subjugating and destroying evil and are also used as rites to purify the ground on the occasion of the construction and consecration of stupas, temples and dzongs where the wrathful nature of the dance is seen as frightening malevolent spirits away and wresting control of the site back from their power. The colourful costume of the Black Hat dances, comprising a large black hat covered in magical symbols, (hexagrams, lensa glyphs, mirrors, peacock feathers etc.) rich brocade silk gowns, vajra collars (dorji gong) boots, scarves and a particular apron displaying the wrathful face of one of the emanations of Mahakala known as a Thro-Zhey (literally, wrathful face) are completed by a set of ritual implements carried in each hand. These may vary, but most commonly include a phurba attached to scarves held in the right hand, and a skull-cap decorated with cowrie shells held in the left. The costume identifies the black hat dancers as being powerful yogis (sorcerers or magicians) who's origin shades back into more ancient, pre-Buddhist times. The dancers are said to pound the earth with their thunderbolt steps marking out the sacred geometric figure of a mandala on the ground, whilst their hands create mystical gestures or mudra known as gar based upon traditional tantric texts. As the ritual continues, the evil spirits who are present are attracted by the flickering of the scarves and are then captured and held in the linga a torma -surrounded by a triangular case that holds them fast. The climax of the rite sees these evils spirits destroyed by the flashing blade of the phurba wielded by the main dancer, who has entered a state of limitless compassion which is capable of destroying the body of evil at the same time as liberating its spirit. In Bhutan this very sacred dance was performed by the Zhabdrung himself whose wrathful performances of the Zhanag dance are said to have terrified onlookers by the intensity of his execution of this dance. Today these rituals are commemorated at Punakha Drubchen where the chief abbot of the Drukpa school, the Je Khenpho, performs in front of the public dressed in the Black Hat costume. There are many versions of the Black Hat dances, varying from 5 to more than 21 dancers, and the instruments and costumes used will also change depending upon the specific rituals performed.Content: Program of the Korphu Drup: Day Four (Jan. 6, 2007): Yeti Cham - Dance of the Yeti ; (Peling) Jug Ging - Dance of the Ging with Batons ; Zhanag Nga Cham - Dance of the Black Hats with Drums ; Durthro Dagmo Chezhi (Durdag) - Dance of the Four Lords of the Charnel Grounds ; (Peling) Dri Ging - Dance of the Ging with Swords ; (Peling) Nga Ging - Dance of the Ging with Drums.Venue: Videotaped in performance at the Korphu Lakhang, in Trongsa, Bhutan (lower balcony looking along the diagonal sinister), on Jan. 6, 2007.Acquisition: Gift; Core of Culture. NN-PDPerformers: This was a special dance added to the program as an extra for CoC's benefit. Lopoen Sonam Wangdi of Trongsa who performed excellently as the Champoen - performed this version with monks from Trongsa Dzong who all hailed from korphu originally. Thus it was a monks verion of the dance we saw two days previously - but they performed with feeling and great style. The Omzey was also a young monk.
Physical DescriptionBorn digitalExtent: 1 video file (ca. 28 min.) : sound, color
DescriptionKorphu Drup begins the evening of Jan. 3, 2007 with a religious ceremony held in front of the Lhakhang followed by a Mewang, the burning of a large gate that everyone is invited to pass beneath whilst it's still burning. Various ging dances are also performed during the mewang.
Type of ResourceMoving image
IdentifiersNYPL catalog ID (B-number): b19944987Universal Unique Identifier (UUID): ad42fdb0-0821-0131-c249-3c075448cc4b
Copyright NoticeCore of Culture
Rights StatementThis item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
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