TitleMarilyn Wood [interviewed] by [Robert] Swinston
NamesCunningham, Merce (Creator)Wood, Marilyn, 1929- (Interviewee)Swinston, Robert (Interviewer)
CollectionMerce Cunningham Video Archive
Dates / OriginDate Created: 2007-06-19
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZIDF 3731
TopicsCunningham, MerceCage, JohnRauschenberg, Robert, 1925-2008Merce Cunningham Dance CompanyMarilyn Wood & the Celebrations GroupArtistic collaborationArts -- Experimental methodsChoreographySite-specific artModern dance
GenresInterviews
NotesContent: Title taken from original container label.Venue: Recorded 2007 June 19 location unknown.Acquisition: Gift; Merce Cunningham Dance Foundation, 2011-2012.
Physical DescriptionVideocassetteExtent: 1 videocassette (miniDV) (81 min.) : sound, color ; 1/4 in.
DescriptionMarilyn Wood recounts her time as a dancer in the Merce Cunningham Dance Company in the late 50s and early 60s. She discusses her transition from art to dance student; her time at Henry Street upon first arriving in New York; meeting Merce Cunningham and John Cage; Robert Rauschenberg and Jasper Johns' first show at Leo Castelli's gallery; Rauschenberg's decision to travel with the Company on tour. Wood then recounts her time with the Company on the road; their daily schedule in the bus while driving around the country; playing Scrabble with Cage; Rauschenberg doing his drawings for Dante's Inferno in the back of the bus; meeting Cunningham's family in Washington; performing in Berkeley and Sacramento; seeing Cage perform in Los Angeles and attending a show for Rauschenberg; performing at UCLA and the end of the tour; her pregnancy and departure from the Company; the Pocket Theatre and the premiere of Satie's Vexations. Wood circles back to the early years of the Company and discusses difficult criticism and audience reaction; the technical difficulty of Cunningham's choreography on the road to mastering it; the enjoyment that comes from performance once the movement was mastered. Wood then discusses the need for personal expression that arose after her departure from the Company; her decision to step off the stage and focus her creative work on the community and to take her energy from the street; the formation of Marilyn Wood & the Celebrations Group; her work with improvisational forms that were free, visible and accessible to anyone; building a dance vocabulary; choreographing her first major event at the Seagram building. Wood closes with gratitude for the enduring influence both Cage and Cunningham would come to have in her work.
Type of ResourceMoving image
LanguagesEnglish
IdentifiersRLIN/OCLC: 905872740NYPL catalog ID (B-number): b20590364Universal Unique Identifier (UUID): 570fd670-4b4a-0133-1fe8-60f81dd2b63c
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