TitleGiselle, the epitome of Romantic ballet
Additional title: Arabesques (Radio program)
NamesManchester, P. W. (Phyllis Winifred) (Speaker)Watts, Carolyn, 1914-2002 (Speaker)
CollectionDance Audio Archive
Dates / OriginDate Created: 1975
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZTO 5-490
TopicsGiselle (Choreographic work)Giselle (Choreographic work : Coralli and Perrot)
GenresInterviewsRadio programs
NotesContent: Title supplied by cataloger.Venue: Recorded by WGUC-FM, the radio station of the University of Cincinnati 1975 Cincinnati (Ohio)Funding: The conservation and cataloging of this recording was made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The support of the National Endowment for the Arts is also gratefully acknowledged.
Physical DescriptionAudiotape reelExtent: 1 audiotape reel (approximately 31 min.) : polyester, full-track, 3 3/4 ips ; 5 in.Sound quality is excellent.
DescriptionP. W. Manchester and Carolyn Watts discuss the ballet Giselle; recorded at WGUC-FM, the radio station of the University of Cincinnati, for the radio program Arabesques, and broadcast on the National Public Radio network, in 1975.
Streaming audio file (approximately 31 minutes). [Music and announcements.] P.W. Manchester and Carolyn Watts discuss the ballet Giselle including its status as the epitome of Romantic ballet; the original 1841 version, created by Jean Coralli and Jules Perrot and danced by Carlotta Grisi; the difficulty of the title role; the first performance of Giselle in the United States, in 1846, in Boston, Massachusetts; the qualities necessary for the Queen of the Wilis and for Giselle; Adolphe Adam, the composer, including his unauthorized use of music by Friedrich Burgmüller for that part of Giselle's variation in which she hops on point [a recording of the Burgmüller music is played]; changes made to Giselle in Russia over the years mainly in response to the increasing virtuosity of ballet dancers; the transformation, in the era of the Soviet Union, of Hilarion from a villain to a more sympathetic character; the change in the scenario, by Vernoy de Saint-Georges and Théophile Gautier, of the cause of Giselle's death, from suicide by sword to shock and a weak heart; Anna Pavlova's Giselle; other great Giselles including Alicia Markova and Alicia Alonso; Alicia Markova's first performance of Giselle, in London; the revival of Giselle in the 1930s and its continuing popularity ever since [a recording of music from the final scene of Giselle is played; announcements].
Type of ResourceSound recording
LanguagesEnglish
IdentifiersRLIN/OCLC: 83690040NYPL catalog ID (B-number): b12118343Universal Unique Identifier (UUID): 65c6b620-c63e-0135-d77c-0b1d58945373
Rights StatementThe copyright and related rights status of this item has been reviewed by The New York Public Library, but we were unable to make a conclusive determination as to the copyright status of the item. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.
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