Voyage pittoresque et historique au Brésil,

Collection History

The books whose images make up this digital presentation offer a rich sampling of the extraordinary variety of NYPL's pictorial holdings on Latin America from the nineteenth and early twentieth centuries. For instance, Jean Baptiste Debret's magnificent, three-volume Voyage pittoresque et historique au Brésil; ou Séjour d'un artiste francais au Brésil, depuis 1816 jusqu'en 1831 ... (Paris, Firmin Didot Freres, 1834-39), held in the Print Collection, provides a comprehensive iconography of colonial Brazil at its apogee. In contrast, Views of the Estrada de Ferro Madeira e Mamore Amazonas & Matta Grosso, Brazil S.A. (created 1909-1912) from the Photography Collection, is an original scrapbook compiled by men who built a railroad through nearly impenetrable rainforest, at great cost in human life. The pictures here evoke heat, danger and drudgery, albeit within a landscape of mystery and great beauty.

Images from two remarkable works document aspects of the great civilizations of Mesoamerica, as seen through European eyes. From the collections of the General Research Division, Antonio del Rio's Description of the Ruins of an Ancient city Discovered near Palenque ... (London, Henry Berthoud, 1822) is a very early work on the famous Mayan complex of Palenque in the modern Mexican state of Chiapas. Line renderings of the relief sculptures found at the site depict ritual figures and their symbolic attributes. Published forty years later, Désiré Charnay's Cités et ruines Américaines. Mitla, Palenqué, Izamal, Chichen-Itza, Uxmal (Paris, Gide, 1862-62), from the Photography Collection, offers evocative, beautifully composed, photographs of these famous sites. Charnay was an explorer and archaeologist as well as an artist, and his pictures were the first photographic studies of the great abandoned palaces and temples of Mexico.

Other books digitized for this collection present wonderful color prints published to enhance accounts of travel and exploration throughout Central America, Peru and the Southern Cone. This digital presentation will grow over time, becoming an even richer source for visual information about monuments, landscape, and local cultures.

Background

Bibliographers and agents of NYPL and its precursor libraries have always sought books and prints documenting the Spanish and Portuguese expeditions of discovery and exploration. James Lenox (1800-1880), founder of the Lenox Library, encouraged his book-buyer, the American bibliographer and dealer Henry Stevens (1819-1886), to roam though England and France in the 1840s and 50s purchasing landmark sixteenth- and seventeenth-century European imprints on the subject. Lenox also acquired early Latin American imprints and manuscripts. Among NYPL's many New World treasures is a copy of Juan de Zumárraga's Doctrina breve ... printed in Mexico City in 1543. Held in the Rare Books Division, it is the earliest surviving complete book published in the Western Hemisphere, appearing almost a century before the first book was printed in the English-speaking British colonies of North America.

In subsequent years, several of the Library's curatorial divisions have actively collected books, manuscripts, serials and other library materials related to Latin America, with plate books illustrating the landscape, natural history and culture of Latin America being a particular collecting focus.

Related Resources

Parker, Wyman W. Henry Stevens of Vermont, American Rare Book Dealer in London. (1963)

Stevens, Henry. Bibliotheca Americana. [1857] 2v.

_____. Historical and Geographical Notes on the Earliest Discoveries in America, 1453-1530. (1869, reprinted [1970])

_____. Historical Nuggets: Bibliotheca Americana, or a Descriptive Account of My Collection of Rare Books Relating to America. (1862) 2v.

_____. Recollections of James Lenox and the Formation of His Library; revised and elucidated by Victor Hugo Paltsits ... (1887, rev.ed. 1951)

Collection Data

Description
Jean Baptiste Debret's three-volume Voyage pittoresque et historique au Brésil; ou Séjour d'un artiste francais au Brésil, depuis 1816 jusqu'en 1831 ... (Paris, Firmin Didot Freres, 1834-39), held in the Print Collection, provides a comprehensive iconography of colonial Brazil at its apogee.
Names
Debret, Jean Baptiste (1768-1848) (Author)
Debret, Jean Baptiste (1768-1848) (Artist)
Dates / Origin
Date Issued: 1834 - 1839
Place: Paris
Publisher: Firmin Didot Frères
Library locations
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection
Shelf locator: MEM+++D288dv
Topics
Brazil -- Social life and customs
Indians of South America
Indigenous peoples
South America
Genres
Prints
Portraits
Illustrations
Botanical illustrations
Notes
Content: Portraits by Debret of King John VI, of Portugal; Emperor Don Pedro I, of Brazil; Queen Carlotta, of Portugal; Arch-duchess Leopoldina, and, Princess Amélie, Empress-consorts of Pedro I of Brazil; Luiz Araújo, count of Barca; Don Pedro de Menezes, marquis of Marialva; José Bonifacio de Andrade e Silva; José Clemente Pereira; and Bishop Don José Caetano da Silva Coutinho, of Rio de Janeiro.
Citation/reference: Graesse. II, 345; Brunet. 21107; Thieme-Becker. VIII, 509; Escragnol Taunay, A. de. A missão artistico de 1816. 280; Pontual, R. Dicionário das artes plasticas no Brasil. 164; Raeders, G. Bibliographie franco-brasilienne (1551-1957). 103.
Content: One of 200 copies printed.
Statement of responsibility: Lithographs by Debret, some by Debret and Vicountess Pauline de Portes, after his own watercolors and drawings; hand-colored by Debret or under his direction.
Content: Uncolored lithographs include frontispiece portrait of Debret, signed C. F. 1832, and map and plan by C. Walter; bound in text vols.
Statement of responsibility: Lithographs printed by C. Motte or Thierry Frères.
Content: Includes sections called Cahier 1 and 2.
Content: Many of the plates include 2 or more illustrations.
Statement of responsibility: Par J. B. Debret...
Physical Description
Lithographs
Chromolithographs
Type of Resource
Still image
Identifiers
RLIN/OCLC: NYPG734043564-B
NYPL catalog ID (B-number): b10086131
Universal Unique Identifier (UUID): d63d4640-c6bd-012f-b159-58d385a7bc34
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x Voyage pittoresque et historique au Brésil, ou Séjour d'un artiste français au Brésil, depuis 1816 jusqu'en 1831 inclusivement, epoques de l'avènement et de l'abdication de S. M. D. Pedro 1er, fondateur de l'Empire brésilien. Dédié à l'Académie des Beaux-Arts de l'Institut de France
place
x South America
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x Topic: Social life and customs