Illustrations: 220 woodcuts and two historiated borders enclosing the title and last cut. All but the last cut are full-length figures of men and women.
Citation/reference: Brunet, III, col. 7. Rahir, E. La bibliothèque de l'amateur, 1924, p. 290. Fairfax Murray 32. Andresen, v. 1, p. 390, no. 234, v. 4, p. 108, no. 20.
Numbering: All but last plate numbered I-CCXIX.
Statement of responsibility: The German verses below the cuts are probably by Weigel, who signs the dedication.
Statement of responsibility: The title-page border is signed A I and Plate I and the last plate are signed I A. They were undoubtedly designed by Jost Amman. The initials of an unknown woodcutter, G H (with knife), occur in the title-page border. A mark on the last plate has been interpreted as Hans Weigel's by Fairfax Murray and as a "Kaufmännisches Zeichen" by Becker. Although Becker ascribes the designs for the entire work to Ammann it is probable that his share was a small one.--cf. Doege.
Citation/reference: The Rahir copy. F. J. Katalog der... Kostümbibliothek, 7. Doege, H. Die Trachtenbücher des 16. Jahrhunderts. (In: Beitraege zur Bücherkunde und Philologie August Wilmanns, 1903, p. 434-435, 440-441.) Becker, C. Jobst Amman, 140.
x Habitvs Præcipvorvm Popvlorvm, Tam Virorvm Qvam fœminarum Singulari arte depicti. Trachtenbuch: Darin fast allerley und der fürnembsten Nationen, die heutigs tags bekandt sein, Kleidungen, beyde wie es bey Manns und Weibspersonen gebreuchlich, mit allem vleiss abgerissen sein, sehr lustig und kurtzweilig zusehen